Although there have been multiple incarnations of Krypton throughout the years, a few aspects remain the same, especially the planet’s destruction. Krypton is always depicted as a scientifically-advanced society, albeit one blinded by its own hubris. In 1986, writer/artist John Byrne overhauled the Superman mythos, and Krypton was radically changed. The pre-Crisis Krypton, a world of color, life and art was gone, replaced by a sterile, cold and calculating society. On this new Krypton, personal contact was shunned, and instead Kryptonians were conceived in gestation chambers. Jor-El, a freethinker, became aware of the planet’s impending doom, but his pleas fell on deaf ears. In a desperate bid, Jor-El attached a hyperdrive unit to his son’s gestation chamber, and sent it to Earth. Jor-El’s son was raised by humans, but always knew he was different. At the conclusion of 1986’s Man of Steel miniseries, Superman learned he was from Krypton, but questions still remained.
Kryptonians Aren’t Gods – But They Can Behave Like Them

Krypton has always been portrayed as a highly scientific and technological society, with varying attitudes on how they interact with other species. Many classic depictions showed the planet as a utopia, and full of life and culture. John Byrne did away with this, instead turning the Kryptonians into a cautionary tale on science run amok. Byrne took it a step further, showing that if other Kryptonians had survived the planet’s destruction, it would have been bad news for Earth and most likely the entire universe. While this version of Krypton has been retconned out of the DC Universe, it proved influential, as even today, depictions still show a Krypton with major problems and its fair share of conquerors, including General Zod.
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