Bad Omens are embarking on the biggest tour of their career next spring with Beartooth and very special guests President

The massive run begins next spring with special guests President

Bad Omens, left [Courtesy], Beartooth, right [The Rock Revival]

Platinum-certified rock band Bad Omens are set to take North America by storm with their headline arena tour in Spring 2026 which includes a stop at Prudential Center in Newark, NJ, on March 10, 2026. The tour includes support from Beartooth and PRESIDENT, and brings the band’s cinematic, high-energy performances directly to fans across the US and Canada.

The tour follows the release of the band’s recent singles, “Specter” (#1 Billboard Mainstream Rock Airplay / #15 Billboard Alternative Airplay charts), “Impose,” and “Dying To Love” – the first two of which made their live debut at Louder Than Life and Aftershock festivals. Bad Omens have earned a reputation as one of the most compelling live acts in modern rock. Their shows are a full-scale experience, blending cinematic visuals, immersive lighting, and precise musicianship. From haunting, atmospheric passages to explosive, arena-shaking moments, frontman Noah Sebastian commands the stage with magnetic presence and passionate vocals, guiding fans through a performance that feels both intimate and monumental.

As highlighted by Live Nation, heavy rock is surging in live music, experiencing a 14% rise and claiming 13% of arena and stadium shows – and Bad Omens are at the forefront of that movement. With this tour, fans will experience the full force of their anthemic new singles and the electrifying spectacle that has propelled them to the top of the genre.

Artist presales begin on Tuesday, October 28 at 12 pm. Additional presales run throughout the week ahead of the general on-sale, beginning on Friday, October 31 at 10 am.

Bad Omens continue their unstoppable ascent as one of modern rock’s most dynamic and commanding bands. Following the explosive success of their breakthrough third studio album The Death of Peace of Mind (2022) – hailed by Revolver as “a stunning fusion of dark, Weeknd-esque pop and industrialized metalcore” – the band has amassed over 2.7 billion global streams, with the album itself earning RIAA Gold certification.

The group’s rise was propelled by the viral success of their hit single “Just Pretend,” which became their first RIAA Platinum-certified track, reached #1 at both U.S. Active Rock and Alternative Radio​ formats, and dominated Billboard’s year-end charts. The album’s seductive title track, “The Death of Peace of Mind,” also achieved RIAA Gold certification and landed in the Top 10 on Billboard’s Rock and Alternative Airplay charts. Their radio success earned the band a 2024 iHeartRadio Music Award nomination for Best New Artist (Alt & Rock).

In 2025, Bad Omens are ushering in their next era, kicking things off with a series of singles that further cement their evolution and genre-defying vision. Their atmospheric single “Specter” ​debuted at #1 on Billboard’s Hot Hard Rock Songs​ chart and became the band’s fastest rise to #1 on both the Billboard Mainstream Rock Airplay and Mediabase Active Rock charts, while also breaking into the Top 20 at Alternative Radio. Follow-ups, “Impose” and “Dying To Love,” expanded their sound in bold new directions – blending industrial textures, emotional lyricism, and the visceral edge that defines their signature style.

Known for their cinematic visuals, meticulous artistry, and fiercely dedicated global fanbase, Bad Omens have built a world that transcends genre lines. Their live shows deliver an immersive experience – both sonically and visually – marked by precision, power, and raw emotional gravity.​ After selling out tours and dominating festival stages across the world, the band is now stepping onto the biggest stages of their career with their first-ever arena headline tours – launching across Europe in November 2025 and continuing through North America and beyond in 2026.

With more boundary-pushing music and unforgettable live experiences on the horizon, Bad Omens stand at the forefront of rock’s new vanguard – cinematic, fearless, and entirely their own.

Beartooth’s Caleb Shomo first turned the pain of his struggle with mental health and self-image into music in 2013. Beartooth began as a living document, a diary, a journal of repressed rage and depression. Alone in his basement studio, screaming and singing, playing all the instruments, and self-producing a batch of furious but melodic songs filled with reflection and confession, the Ohio native stared into the abyss, initially with no intention of returning to the heavy music world that burned him as a teen.

A decade later, the different pieces of his body of work connect in title, sound, and spirit. As the frontman hits 30, Beartooth’s fifth album, The Surface, completes this era in 2023. Even more importantly, it kicks off a new chapter filled with surprising optimism and just as honest. Depression is a sick, disgusting, aggressive disease below the surface. Caleb stands ready to bask in the light.

In its celebrated debut, The Surface hit #1 on Billboard’s Hard Rock Albums chart and #5 across Billboard’s Album Sales, Alternative Albums, Top Current Albums, and Vinyl Albums charts. A product of Beartooth’s fervent fanbase and radio-ready hits, the band also earned their first #1’s on the Mediabase Active Rock and Billboard Mainstream Rock Airplay charts for both “Might Love Myself” and “I Was Alive.”

Like Nine Inch Nails, Beartooth remains a one-person band in the studio. On the heels of the introductory Sick EP (2013), Disgusting (2014) produced BEARTOOTH’s first Gold single, “In Between.” Aggressive (2016) and Disease(2018) expanded on the desperation and pain, each a step closer to a balance between the blood and tears of classic recordings and the shimmer of modernity.

Rolling Stone heralded Beartooth as one of 10 Artists You Need to Know. The rabid response to Caleb’s music demonstrated how many people related to his struggle for self-acceptance. Below (2021) topped the Rock and Alternative charts and several Best Rock/Metal Albums of the Year lists. Today, the Beartooth catalog boasts more than 1.3 billion streams across all platforms.

Beartooth began as both bomb and balm, an outright refusal to suffer in silence, weaponizing radio-ready bombast, delivering raw emotion mixed with noise-rock chaos. Other bands play the “devastating riffs and catchy hooks” game, but this music is the difference between life and death, and now, a sort of life after death while still here. The band Forbes sees “inching towards a tipping point of becoming the latest arena headliner” is now one step closer.

Nov 21 – Dublin, Ireland
Nov 23 – Glasgow, United Kingdom
Nov 26 – London, United Kingdom
Nov 28 – Manchester, United Kingdom
Nov 29 – Nottingham, United Kingdom
Dec 1 – Bruxelles, Belgium
Dec 2 – Paris, France
Dec 4 – Dübendorf, Switzerland
Dec 5 – Nuremberg, Germany
Dec 6 – Berlin, Germany
Dec 9 – Hamburg, Germany
Dec 10 – Oberhausen, Germany
Dec 12 – Amsterdam, Netherlands
Dec 13 – Amsterdam, Netherlands
Feb 22 – Delta Center – Salt Lake City, UT
Feb 24 – Ball Arena – Denver, CO
Feb 26 – T-Mobile Center – Kansas City, MO
Feb 28 – Little Caesars Arena – Detroit, MI
Mar 02 – Target Center – Minneapolis, MN
Mar 04 – Allstate Arena – Rosemont, IL
Mar 06 – Scotiabank Arena – Toronto, ON
Mar 08 – Place Bell – Laval, QC
Mar 10 – Prudential Center – Newark, NJ
Mar 11 – TD Garden – Boston, MA
Mar 13 – Xfinity Mobile Arena – Philadelphia, PA
Mar 14 – CFG Bank Arena – Baltimore, MD
Mar 16 – Lenovo Center – Raleigh, NC
Mar 17 – Bridgestone Arena – Nashville, TN
Mar 19 – American Airlines Center – Dallas, TX
Mar 20 – Frost Bank Center – San Antonio, TX
Mar 22 – Paycom Center – Oklahoma City, OK
Mar 24 – Desert Diamond Arena – Glendale, AZ
Mar 26 – Kia Forum – Inglewood, CA
Mar 27 – Oakland Arena – Oakland, CA